We are excited to announce two new sections on our main Photography Courses website – Behind the Scenes and Students’ Gallery.
The Behind the Scenes is for us to give you a sneak peek of what happens on our courses. First-up is a look at our most recent Fashion Photography course. Check out the video here.
The Students’ Gallery is a selection of images from our students showing samples from all of our courses; with corresponding links through to their testimonials. You can see their images here.
Kelsey says about this daring venture: “Most fashion shorts I’ve seen tend to look great, but can feel like stretched-out adverts. We wanted something with depth, and a genuine narrative . . . the new winter collection [is] dark, loaded with hard edges and rock chick attitude. We wanted the film to reflect this, while pushing the envelope within the genre.”
And it is indeed daring…and bold; as well as beautifully shot and incredibly intriguing. And apparently there’s more to come – I’m on the edge of my seat already.
The July 09 issue of Italian Vogue sees the return of Kristen McMenamy, one of the 90s supermodels. Shot by Steven Meisel, it’s incredible to see “The Legend” working it once again.
Mert Alas and Marcus Piggot, Turkish and Welsh photographers, met in England in 1994 and became a creative tour de force. They have merged high-glamour, colour and sometimes dynamic landscapes with a fair amount of image manipulation to create amazing images in fashion, portraiture and advertising. They always seem to get something new out of models and actresses (as shown in the hot-off-the-press images of Cameron Diaz for V Magazine, below) and create unconventional images.
Following on our previous post about the work of Inez van Lamsweerde and Vinoodh Matadin and in particular their work for Yves Saint Laurent’s Manifesto series, here is AW 2009, featuring the fabulous Christy Turlington. Christy was one of my favourites of the original supermodels and it’s great to see her still looking amazing.
Lara Stone, has now been a firm favourite on the fashion scene since 2006. She has graced the covers of many magazines and catwalks, culminating in French Vogue dedicating its entire Feb 09 issue to her. And why is she so popular? One reason is certainly her versatility and ability to adapt to any shoot; from sexy and seductive, to young and innocent, to primped and preened. Much like her supermodel predecessors such as Linda Evangelista and Kate Moss, Lara has a chameleon-like talent; more actress than mere model.
And here she is as Karl Lagerfeld’s muse in a short film for Chanel’s Preview Fall 09 collection…
It is en vogue these days for editorial, and even advertising, shoots to be more risqué, by showing some nudity. An ordinary shoot suddenly becomes more edgy, even more arty. It’s a quite blasé attitude to fashion, where clothes are less important and it’s more about the mood and strength of the image. But how do you get the model to relax? One slightly unorthodox approach may be to get naked with your model, as shown below by the actions of established photographers Jurgen Teller, Mario Sorrenti and Terry Richardson (Kate Moss featuring in two of the images).
Of the Jurgen shoot, Charlotte Rampling says:
“The way he works is very free and easy, he puts you at ease really quickly…you have to trust someone to get to that stage. It’s important to feel released, and you can only do that when the photographer’s relaxed. It’s a lot of fun and it’s edgy.” The Guardian
Be aware though, that only very established photographers can get away with this!
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