As one of the 20th century’s most important photographers, Cecil Beaton helped invent the cult of the celebrity image while pushing the boundaries of his art form with innovative techniques and staging. In the course of his decades-long career as a photographer for Vogue and Vanity Fair, as well as a British war correspondent, Cecil Beaton documented lives both famous and quotidian in dozens of scrapbooks now held by Sotheby’s London.
In these pages, reproduced here for the very first time, the inner vision of the man behind the camera takes center stage. Composed of his own prints and clippings from magazines, newspapers, and playbills, the pages are an instructive record of his creative process. His famous eye alighted on society figures, royals, dancers, actors, statesmen, and natives in ceremonial garb, picking out visual rhymes and witty juxtapositions. To flip through the pages is to enter a fabulous and surreal party where Tallulah Bankhead rubs shoulders with a bust of Voltaire and a portrait of Stravinsky; where Beaton’s first trip on the Queen Mary coincides with Queen Elizabeth’s coronation. Beaton’s scrapbooks allowed the artist to play with pictures he had taken (and perhaps those he wished he had) in the dreamspace of artifice that was always his favorite setting.
About the Author:
James Danziger was the Director of Photography at the London Sunday Times Magazine, features editor of Vanity Fair, and director of Magnum New York. He runs the gallery Danziger Projects in New York.
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